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With Diarrablu Glass Ceiling Shattered shirt. Bousso ostensibly has easier access to materials, but she’s committed to maintaining that artisan mindset. In Silicon Valley-speak, she prefers the term iterate, or the process of doing something over and over again, as in an algorithm or a line of code. “From a production approach, we just want to iterate. How can we minimize waste every time? How can we create a jumpsuit that can be tied and adjusted 19 different ways? How can we cut the fabric over and over so there’s nothing left? Sometimes, we sacrifice time. But this should be the norm.
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Fashion has gone even more digital. Amid social distancing, there have been campaigns photographed remotely while fashion shows have been composed completely of avatars such as Animal Crossing Glass Ceiling Shattered shirt. And of course, there has been a surge of digital creations on Instagram. One feed that has caught my own eye recently has been Edwin Mohney’s shimmying, grooving, and strutting avatars. The Central Saint Martins graduate has been known for his artful sourcing of thrift store materials and surplus fabrics, which he uses to create the likes of over-the-top designs with exaggerated proportions. Think: larger-than-life confection gowns and evening dresses with a high-waisted pannier. Now, Mohney has been funneling those silhouette-warping thoughts into the computer. So far, Mohney has created several Sim-like avatars on the program Adobe Fuse, which is currently in a beta testing version. Each avatar sequence boasts a quippy name, such as “Stop Waiting!!!!”, and fulfills an action that corresponds with the title. “It is like an emotional reaction. it is just a vibe,” says Mohney. For “Stop Waiting!!!!”, the avatar is dressed in a black and white harlequin print jumpsuit and sprints across the screen to the tune of actor Shia Lebouf’s inspirational speech “Just Do It.
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