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OH YOU THROW BALLS THAT’S COOL I THROW PEOPLE WRESTLING shirt
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It’s definitely contemporary OH YOU THROW BALLS THAT’S COOL I THROW PEOPLE WRESTLING shirt. she says of the brand. A signature motif of Liandra Swim’s one- and two-pieces are their graphic prints, which Gaykamangu creates digitally herself. Her “dotted prints” are a twist on dot art, a popular form of painting that originates from indigenous tribes in Australia. Many of the prints have a deeper meaning behind them that acknowledge her tribe’s history. That style really represents the changes to indigenous Australia post-colonialism,” she says. “The blue represents the water, because it was via our water and our oceans that those changes came.” During the design process, Gaykamangu says she also focuses on incorporating colors and prints that will complement a variety of skin tones. “I’m always thinking about my canvas, which is women,” she says.
OH YOU THROW BALLS THAT’S COOL I THROW PEOPLE WRESTLING shirt, hoodie, sweater, longsleeve and ladies t-shirt
Another, titled Witch Pimp, is an avatar with a J.Lo style floppy hat in a tangerine-hued skirt suit complete with a tactile vest, all of which is accessorized with a saucy strut and the music of “Human Nature” by Madonna OH YOU THROW BALLS THAT’S COOL I THROW PEOPLE WRESTLING shirt. “It’s a pocket of emotion. Like, ‘Let’s do something silly and strange and put this music to it.’” says Mohney. “It’s this work unto itself and I have fun doing them.” Of course, there are restrictions when using the program: The outfits are already pre-loaded into Adobe Fuse as relatively standard pieces. It is up to Mohney to customize them and play with the avatar’s body’s form to alter the pieces. “You’re designing the body underneath it so it is tinkering with the shape,” he says. “It is like an archetype of stuff like a blazer with a jacket. It’s like, ‘How do I fuck this up?” Here, Mohney can transform denim shorts into pin and green python print shorts by tinkering with the textures, fabrics, and colors. As for the silhouette, Mohney cinches waists and expands hips, hunching shoulders for an aristocratic hunch. In the end, the restrictions don’t really feel like restrictions. “The constraints are the fun of it,” says Mohney. “It is kind of a task